A native of Boston, Sellon made his stage debut in 1901 and his film debut in 1923. He was rarely the lead; skinny and with a long face, with a mouth usually in a frown or scowl, he often played narrow-minded small-town types in roles of authority. In the 1925 silent film "The Monster," for instance, he was the ineffectual constable responsible for catching Lon Chaney as Dr. Ziska, a mad scientist who engineers car accidents so he can experiment on the survivors. He also played a cop who unsuccessfully tried to get the goods on Rudy Vallee in the latter's debut film, 1929's "The Vagabond Lover." He played a newspaper editor in several films, as well as druggists, mayors and justices of the peace.
But most often in the movies, Sellon was somebody's uncle. He played a character named Uncle Henry in three films -- 1923's "The Bad Man," 1925's "Old Home Week" and 1930's "Borrowed Wives." He was Uncle Joe in 1923's "Woman-Proof," Uncle Bill in 1924's "Lover's Lane" and, above all, he was crabby-but-lovable Uncle Ned in 1934's "Bright Eyes."
Yes, if you remember "Bright Eyes" at all, then I guarantee that you remember Sellon.
"Bright Eyes" is the Shirley Temple movie with Jane Withers (right) as Temple's bratty nemesis and the one where Temple sings "On the Good Ship Lollipop":
Temple is a tomboy named, um, Shirley. Her father, a pilot, was killed in a plane crash and her mother works as a maid for a snooty rich family with a bratty daughter played, you should excuse the expression, balls to the wall by Withers.
Shirley spends a lot of time with her godfather, also a pilot, nicknamed Loop (James Dunn), and his fellow flyboys at the local airport.
When Shirley's mom is hit by a car (!) on Christmas Day (!!) while she's taking a cake to the airport holiday party (!!!), a custody battle develops over her. On one side is Loop, and on the other side are Uncle Ned and another nice relative who was once engaged to Loop. Whoever will win?
"Bright Eyes" is the Shirley Temple movie I remember most vividly from when I was a kid, and I think it's for two reasons. One is this great scene between Temple and Withers:
In fact, "Bright Eyes" is pretty satisfying in a basic, fairytale way. Cinderella Shirley triumphs through plain old spunkiness, and yet she's allowed to act like a real kid -- when her mother is killed, it falls to Loop to tell Shirley, so he takes her up in his plane so that she can be closer to heaven, and she just cries. Period.
As lovable as Sellon is in "Bright Eyes," he's in another film, made the same year, as one of the most particularly unpleasant people in W.C. Fields's world of particularly unpleasant people -- Mr. Muckle in Fields's great "It's a Gift."
Again, if you remember "It's a Gift" at all, then I guarantee you remember Sellon. Mr. Muckle is blind, deaf and bitter. Today he'd be the target audience for Fox News. He is one of the many banes of the existence of grocer Harold Bissonette (Fields), who is besieged on all sides each day -- shrewish wife, obnoxious kids, incompetent employees, clueless customers.
|What we have here is a failure to communicate.
Mr. Muckle is so wonderful because he's so awful. He goes against all the movie stereotypes about the handicapped. He's just an irritating guy who can't see or hear. And as he wreaks havoc in the store, Harold's efforts to keep him still escalate, as does his pleading -- "Sit down, Mr. Muckle! Sit down, honey!" (Side note -- on the animated series "Rugrats," Stu Pickles's boss was named Mr. Mucklehoney.) Anyway, here's the scene:
After appearing in a handful of movies in 1935, Sellon retired; he was 65 and it was time to start collecting that sweet, sweet Social Security that had just become law. He died two years later.