"Bombshell," or Harlow Can You Go?

We know what -- and who -- "Bombshell" (1933) is about from the get-go:

Burns is the name, Lola Burns, and any resemblance to Jean Harlow is purely intentional. She's platinum blonde, she's an international sex symbol and she's the star of "Red Dust." She lives in a gorgeous Hollywood mansion along with her sponging father and brother (Frank Morgan and Ted Healy), a wisecracking maid (Louise Beavers) and faithful assistant (Una Merkel).

At the studio, Burns is hounded by a persistent stalker and by fast-talking, fast-thinking studio publicity man "Space" Hanlon, played by Lee "Aw, sugar, you got me all wrong" Tracy:


"Bombshell" moves as fast as Tracy talks. At any given moment in any given frame of this movie, someone is leaving, coming in or passing by. The dialogue is just as fast and funny, as when Space is justifying what he's done for Lola:

"I've seen to it that Lola Burns is a family slogan from Kokomo, Indiana to the Khyber Pass! Strong man take one look at your picture and go home and kiss their wives for the first time in ten years! You're an international tonic! You're a boon to re-population in a world thinned out by war and famine!"

There's also great dialogue involving Beavers as Harlow's maid. In one scene she tells Harlow that the negligee Harlow gave her was "torn." "Your day off is sure brutal on your lingerie," Harlow says. And when Merkel, as Harlow's assistant, tries to bully Beavers, she responds, "Don't scald me with your steam, woman. I know where the bodies are buried!"       

"Bombshell" also has great footage of the real-life MGM lot and surrounding buildings -- how many liaisons, you wonder, began at Ryan's Cafe just outside the studio gate? And it has a healthy sense of humor about Hollywood, spoofing fan magazines, gigolos with phony royal titles and stars adopting babies because it makes good copy. When Burns expresses an interest in adopting, Space stops her short -- "You think I want my bombshell turned into a rubber nipple?"

The movie ends with a "His Girl Friday"-style twist -- Burns runs away from the studio to a dude ranch and starts to worry if the studio really misses her. She also falls for a rich young man (Franchot Tone) who seems perfect -- too perfect.  

As much as "Bombshell" lampoons the studio system, however, it's interesting that two of the male leads -- Tracy and Healy -- would go on to violate system rules and end up in big trouble. In 1934, MGM suspended Tracy for his drunken hi-jinks on the Mexican set of "Viva Villa," and his career was never the same. And Healy died in 1937 under suspicious circumstances -- at least one book contends that he was beaten to death by a group including MGM star Wallace Beery, and that MGM sent Beery out of the country until the hubbub died down.

You can find complete credits for "Bombshell" here.

"Gabriel Over the White House," or the Fascist and the Furious

In 1930, Walter Huston played Abraham Lincoln in D.W. Griffith's biographical film, and three years later he played the President again in "Gabriel Over the White House," based on a best-selling novel of the day written anonymously.

Huston plays President Judson Hammond, and at the beginning, to paraphrase another real-life president, he's much more of a Ford than a Lincoln. He's a Warren Harding-like party hack who's packed the cabinet with all his political cronies. Sure, he's a good uncle to nephew Jimmy (Dickie Moore), who's always hanging around the office, and he commands the respect of secretary Pendie Molloy (Karen Morley) and chief aide Harley "Beek" Beekman (Franchot Tone), but he shows every sign of being a complete George W. -- er, mediocrity in office.

But desperate times call for desperate plot twists, and divine providence intervenes when the President is seriously hurt in an auto accident (he himself was driving, pushing the speedometer above 90). He's in a coma, and something strange happens:


The President Hammond who emerges from the coma is a haunted, schizoid zombie!

"I'm bad, I'm bad. You know it."

No, not really, but he is a much more forceful fellow who's driven to do the right thing, no matter who he offends. The old Hammond wouldn't meet with Bronson (David Landau), the leader of the unemployed, but after Bronson is killed Hammond bravely goes to the massive camp of marchers and proposes a "construction army" to put them back to work.

Next Hammond takes on prohibition and the gangsters who prosper from it, particularly Nick Diamond (C. Henry Gordon, whose hawk-like looks suggest an evil Fred Astaire). Hammond even invites Diamond to his office for a face-to-face meeting, but when they can't come to terms and a government liquor store is bombed, Hammond forms a "police army" and puts Tone in charge of catching the bad guys, judging their criminal trial and overseeing the firing squad in the shadow of the Statue of Liberty!:


Finally, Hammond tackles the problem of foreign debt by gathering representatives of debtor countries on a battleship and destroying two empty ships to demonstrate -- well, his point escaped me, but it worked, and everyone pledges to pay up pronto.

Having fixed all of America's problems unilaterally, without the bother of Congress or the constitution, Hammond's health starts to falter. Is this the end of his heavenly prolonged life?

Casting the U.S. President as Mister Fix-It is always an appealing idea, particularly when the country is in the kind of crisis it was in the early 1930s. The unemployed marchers are based on the real-life Bonus Army, of course, who demanded early payment of cash benefits they were promised at the end of World War I; President Herbert Hoover responded by sending an opposition army with General Douglas MacArthur in charge and setting their camps on fire. And the "construction army" that Hammond proposes is eerily similar to the kind of government programs put in place by President Franklin Roosevelt.

Humph. Financial crisis. Protests in the streets. Government stimulus programs. That's all so Great Depression-y -- it couldn't happen today.

For full credits and production info, click here.