The rise of Lawrence Welk and of rock and roll happened at roughly the same time -- maybe in reaction to each other. Welk's band played classic white-bread tunes -- waltzes, foxtrots and polkas -- and were television favorites for an amazing three decades. Reruns of the show still air on PBS stations across the country. We look at Welk's popularity, despite his awkward stage presence, and the musical "family" he featured on his show, including the Lennon Sisters.
Podcast: When Maude Findlay Had an Abortion
The WHAS Crusade for Children, Take One
The 69th annual WHAS Crusade for Children took place earlier this month, raising over $5 million to support children with special needs in Kentucky and Indiana. For decades the Crusade has been a well-oiled fundraising machine, utilizing volunteers from across the region who do everything from holding benefit events to walking door to door for contributions.
The Bingham family, who owned WHAS when the Crusade began, well understood its standing as a community institution -- when they sold WHAS in the mid-1980s, they included a covenant that the subsequent owners could never cancel the Crusade.
Here's how it started, on September 12, 1953, according to Variety:
You're forgiven if the celebrities, aside from singer Mel Torme and tennis ace Pancho Gonzales, don't ring a bell. Ray Malone was a tap dancer who, a few years earlier, had been a regular on the NBC late-night show "Broadway Open House." Here he is with Dean Martin and Jerry Lewis. Fran Warren was a singer whose biggest hit was "A Sunday Kind of Love." Robin Morgan was 12 at the time -- she was a young actress who played Dagmar on the TV series "Mama." Today she's a poet and activist. I don't have the slightest idea who Mary Farenga is.
The telethon happened before my time, but I did hear one behind-the-scenes story about it. Legend has it that Mel Torme (seen here with Crusade emcee Jim Walton) got very upset when the crowd in Memorial Auditorium gave him only polite applause while they went crazy for Randy Atcher. Sorry, Velvet Fog, but there's no fighting the power of "T-Bar-V Ranch" -- at least not in Louisville.
Podcast: Elvis Presley, Year One
Podcast: Orson Welles' Radio Days
In 1934, Orson Welles came to Broadway in a production of "Romeo and Juliet" and within a year he was putting his mellifluous voice to use by doing a lot of radio work, including as part of the stock company, imitating famous newsmakers, on "The March of Time." While producing and directing shows on Broadway, he was also making a name for himself as the title character on "The Shadow" and, later, scaring America to death with "War of the Worlds." Today we consider Welles's work as a rising star on the radio, leading to an offer from Hollywood.
Sources:
Broadcast Hysteria: Orson Welles's War of the Worlds and the Art of Fake News, by A. Brad Schwartz
Orson Welles on the Air: Packaging Welles, orsonwelles.indiana.edu
"This Ageless Soul," Russell Maloney, The New Yorker, October 1, 1938
Rosebud: The Story of Orson Welles, by David Thomson
The Mercury Theatre on the Air, mercurytheatre.info
Screen Capture Theatre: "The Fast and the Furious," or Race Relations
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| Look at that truck crashing and blowing up! It has nothing to do with the plot! |
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| No, this movie isn't about trucks. It's about race cars, specifically this sleek white Jaguar driven by the equally sleek Dorothy Malone. |
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| Dorothy is the fast one, and John Ireland is the furious one. He's an escaped prisoner who doesn't take to answering questions, not even if they're asked by Zach Galifianakis. |
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| John takes Dorothy and her car hostage and won't even let her go to the bathroom. |
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| They cleverly elude police roadblocks because their car is so inconspicuous. |
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| John still doesn't let Dorothy go to the bathroom ... |
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| ... until they enter a road race as a way of escaping to Mexico. |
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| At the race Dorothy meets an old flame ... |
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| ... but she's starting to take a liking to John ... |
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| ... and when they shack up together overnight they create a few sparks of their own. |
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| Then it's race day! |
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| John has left Dorothy behind for her own safety... |
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| ... and through the miracle of rear projection he crashes past customs and into Mexico. |
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| But wait! Dorothy's old flame is involved in a startlingly realistic crash with a twig. |
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| By stopping to save the old flame, John demonstrates his decency. And he and Dorothy start smokin' again. |
Podcast: Liz and Dick and Lucy and the Ring
In 1969, Elizabeth Taylor and Richard Burton were arguably the world's most famous married couple, and they became even more well known when Burton bought his wife a 69-carat diamond ring that cost over a million dollars. At a Hollywood party, their paths crossed with Lucille Ball and an unlikely idea emerged -- within weeks the Burtons were taping an episode of "Here's Lucy" as themselves, with the ring as a special guest star. This is the story of a very large diamond, two very popular movie stars and one of America's favorite comic actresses -- and how they all came together to make TV history.
Sources:
" 'All I Could See Was Elizabeth and That Rock': What Happened When Taylor and Burton Were Filmed for Next Week's Lucy Show," James Bacon, TV Guide, September 5, 1970
"The Taylor Burton Diamond," worthy.com
Loving Lucy: An Illustrated Tribute to Lucille Ball, by Bart Andrews
Elizabeth Taylor: A Private Life for Public Consumption, by Ellis Cashmore
The Richard Burton Diaries, edited by Chris Williams
Screen Capture Theatre: The "Love Is on the Air" Guide to Making It in Radio
Yes, I'm talking to you, mumbles. Get your puss out of your oatmeal, slap on a smile, get behind a microphone and FACE LIFE already! You, too, could be the next Charlie McCarthy! There's a secret to making it in radio, and I'm going to slip it to you today, gratis! All you need to do is smile, turn on the charm and look like you know what you're talking about! As exhibit A, I give you Dutch Reagan, former announcer with WHO radio in Des Moines:
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| Dutch is a hard-working reporter for the local radio station. |
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| A crime wave is sweeping the city, portrayed in stock footage thrillingly borrowed from better movies. |
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| Dutch immediately begins reporting on the case, not even pausing to take off his hat or extinguish the fire on his sleeve. |
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| But man does not live by news alone, and Dutch takes time out to woo the slightly sensational June Travis. |
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| Then he swings into action to create new shows for radio, like ... |
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| ... "The Annoying Children's Hour" ... |
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| ... "Things You'd Rather See Than Listen To," featuring bicycle races ... |
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| ... and "Hollywood Child Actor Death Match." |
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| While embarking on his latest show, "Three People in the Back of a Truck," Dutch stumbles across a shootout and broadcasts it. |
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| He is a hero and the crime wave is smashed! |
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| Who can say what lies ahead for Dutch? Big-time radio, Hollywood, maybe even the presidency ... of the Screen Actors Guild, that is! |
Podcast: What We Laughed At
Screen Capture Theatre: "Quicksand," or Crime After Crime
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| ... as opposed to slowsand, or even kind-of-fast sand. |
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| Our hero is Mickey Rooney, as a short-but-honest auto mechanic. It's the perfect job for him -- he doesn't need a grease rack to get under the car! |
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| One day Mickey is at the diner with future Mouseketeer Jimmie Dodd when something catches his attention -- |
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| It is his dream girl -- a woman who looks just like James Cagney in drag! |
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| Upstaged by the innuendo on a lousy box of candy, Mickey nevertheless asks female James Cagney out on a date... |
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| ...where he learns that she has very expensive tastes. . |
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| This causes Mickey to leave his old girlfriend, Liv Tyler, behind ... |
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| ... and embark on a life of petty theft. |
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| Mickey's crime spree involves buying a watch on time (Ha ha! See what I did there?) and then hocking it. |
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| And he also holds up a guy just because he doesn't like straw hats. |
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| This gets him mixed up with female James Cagney's old boss, Peter Lorre, who runs a penny arcade on the Santa Monica pier. |
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| He and Mickey become fast friends ... |
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| ... but Mickey draws the line at playing peek-a-boo, so Peter Lorre blackmails him over the straw hat guy robbery. |
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| Now Mickey is really in a spot. He has to steal a car for Peter Lorre AND buy him a straw hat. His nerves are on edge. |
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| This leads to a tense meeting with the boss. |
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| Happily, Mickey is shot by the cops and reunites with Liv Tyler. |
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| Then he realizes his father-in-law will be Steven Tyler, and he starts thinking about female James Cagney again. |
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