The 1932 film "Love Me Tonight" lets you know you are in for something special from the very beginning:
You haven't heard a word of dialogue, but the first few moments of the film set the stage perfectly -- Paris, morning, people waking up, a friendly man jauntily walking to his tailor shop and greeting his neighbors ("Hello Mrs. Bendix! How's your appendix?").
But when I watch a movie like "Love Me Tonight," I happily park my cynicism at the door. It doesn't come easily to me, but the movie deserves sincere adjectives that I usually use sarcastically -- "delightful," "thrilling," "enchanting." It's a witty, lovely fairy tale with a prince named Maurice and a princess named Jeanette. It's not just one of my favorite pre-code movies -- it's one of my favorite movie musicals, period.
The pairing of Maurice Chevalier and Jeanette MacDonald brings to mind what Katharine Hepburn is alleged to have said about Fred Astaire and Ginger Rogers -- "he gives her class and she gives him sex" -- but in reverse. MacDonald's regal bearing (even when she wasn't playing a princess) and cultured soprano is perfectly counterbalanced by Chevalier's good humor and growly, untrained voice.
Their paths cross when Maurice pursues Charlie Ruggles as a deadbeat vicomte (French for "viscount," if you care) to his family castle, where the women -- Princess Jeanette and Countess Valentine (Myrna Loy, sexy as hell) -- are literally wasting away from lack of love. See for yourself:
|Aunts in your plans of 1932.|
We are introduced to Princess Jeanette in one of my very favorite film moments -- the Rodgers and Hart song "Isn't It Romantic" travels from one singer to another, beginning on the lips of the hero and ending on the lips of the heroine:
This, to me, is exhilarating filmmaking -- storytelling in a style that still seems contemporary and clever. Taking a score by Rodgers and Hart consisting of songs that are spoken as well as sung, director Rouben Mamoulian worked with screenwriters Samuel Hoffenstein, Waldemar Young and George Marion, Jr. to shape the story around the music.
Truthfully, the story is the weakest part of "Love Me Tonight," but it's more than enough to carry the score and the performances. Maurice is a tailor. The viscount owes him money. He goes to the castle to get paid. Princess Jeanette is nearby, riding in a carriage and combining the lyrics of "Lover" with commands to her horse (I wish I had a clip to share with you) Maurice meets Princess Jeanette and falls in love.
She resists his advances and runs away. They meet again at the castle, where the viscount passes off Maurice as a baron. Everyone else in the castle loves Maurice as much as the princess dislikes him. How do we know? After he arrives, they all wake up the next morning singing "Mimi" -- even C. Aubrey Smith in what is undoubtedly his most joyous moment on film.
|"Trust me. I'm a professional."|
Despite its atmosphere of sweet romance, "Love Me Tonight" does have its share of pre-code spice, including scenes of Loy and MacDonald in lingerie and other revealing outfits, some of which were trimmed during the movie's original release. And one raised eyebrow from Maurice Chevalier is worth a million double-entendres.
Here is the film itself (with commercials; sorry):
A movie that makes me smile, makes me laugh and makes me imagine what a grand place this would be if life could be sung.ReplyDelete
Loved your great write-up, David (as I do everything you write)! At the recent TCM film fest, I saw my first Maurice Chevalier movie (The Smiling Lieutenant) and my first non-singing Jeanette MacDonald movie (Don't Bet on Women) and enjoyed them both immensely. I look forward to checking them out together! Thanks so much for your contribution to the blogathon!ReplyDelete
Thank you for posting this film. (Yay!) I've bookmarked it to watch later. I loved the clip you posted, of Paris coming to life in the morning.ReplyDelete
Thanks for the introduction to this film.
This is a lovely film and Maurice Chevalier's singing is fantastic, as it always is. Hope to see it again soon. Really enjoyed your review!ReplyDelete
This is one of my top favorite films of all times - it is just perfection. I have chosen this film for the 1930s blogathon and now I have to really figure out how to even come close to your awesome review. Isn't this just such a great film?ReplyDelete
Enjoying discovering so many gems through this blogathon - especially ones that are easily available! Maurice Chevalier is one of my all-time faves (I particularly love Gigi and Love in the Afternoon) so thanks for bringing this film to my attention!ReplyDelete
It's a wonderful film I was lucky to catch late at night once. There was so much charm and glory in this movie. Mimi is a delightful number, and Myrna plays my favorite, saucyest character here.ReplyDelete
Don't forget to read my contribution to the blogathon! :)
I haven't watched it in years, but I really have to. Thanks for linking it and for whetting my appetite!ReplyDelete